Through her depiction of Sue Ellen Ewing on the popular soap opera Dallas, Linda Gray rose to fame.
Even though Gray had a tremendous career and appeared in more than 300 episodes of the show, she also had many personal challenges.
This is the tale of 82-year-old Linda Gray, who is still going strong today.
There have been countless occasions throughout the history of film and television when actors and actresses have given outstanding performances. I don’t know about you, but when I watch those genuinely outstanding performances, I often get the impression that the performers were practically born to portray the roles and that no one else could do it as well.
Could you ever fathom someone else playing Charles Ingalls from Little House on the Prairie instead of Michael Landon, for instance? Or, if a different actor had played Bert instead of Dick Van Dyke, would Mary Poppins have been just as good?
These kinds of sections have several examples, but let’s focus on one more. Personally, I find it impossible to contemplate viewing the venerable hit television program Dallas without Linda Gray in the lead role of Sue Ellen Ewing. I believe I speak for many when I say that we are happy she received the part.
One can even say that Linda Gray’s life has been like a roller coaster because it has been so extraordinary. Gray has fought with a potentially fatal illness, addiction, and an unfulfilling marriage.
She has undoubtedly experienced difficult moments, but she has always emerged from them stronger and more determined than ever to live life to the fullest and have a long and prosperous career.
Gray co-starred in Dallas with Larry Hagman and Patrick Duffy. She now discusses how it was to work with Hagman and the factors that contributed to their on-set chemistry.
On September 12, 1940, Linda Gray was born in Santa Monica, California.
When Gray was diagnosed with polio as a young child, she was faced with many difficulties.
“They didn’t know what it was when he was 17, and he was always in a wheelchair,” she recalled. “When I was diagnosed, everyone went crazy in my family, but I wasn’t. I thought I could have a wheelchair like Grandpa.”
In Culver City, California, Gray was raised by her father who had a watch repair business. She was born to act when she was a small child. She gave a performance on her neighborhood’s streets. Linda played Cinderella in the production of Cinderella while she was a student at Notre Dame Academy in Los Angeles.
Her father gave her and her sister Betty the security they required.
“He didn’t offer emotional support though,” Linda Gray wrote in her 2015 book The Road to Happiness Is Always Under Construction. “He was just kind of there, like a piece of furniture, but then this was a different time.
“You didn’t go to Dad with boyfriend problems. God forbid. But he was supportive of my career.”
Marge, their artist and former ballerina mother, was the opposite.
Marge was a strong drinker, so the two young sisters eventually had to take over management of their house.
“She wasn’t falling down drunk, there was never any yelling,” Linda wrote. “She wasn’t mean – she was just blurred, in her own world, she would forget to buy food so I started doing the cooking. My sister and I didn’t like her.”
Later on in life, Marge eventually went to Alcoholics Anonymous and stopped drinking. Linda believes that her mother’s drinking habits were a result of disappointment and suppressed creativity. She became determined to avoid a similar fate to her mother.
“I felt that if I didn’t pursue my career the same thing could happen to me,” Linda Gray explained.
But through her path in life, she’d faced several challenges. And the hurdles started coming as early as her 20s.
Growing up in Culver City meant being very close to the show business capital of the world, Hollywood. Along with her friends, Linda Gray used to hang around the different studios after school, getting autographs from stars such as Tyrone Powers and Spencer Tracy.
At a young age, Gray wanted to study medicine. But growing up close to the film studios, she changed her focus, and soon knew she wanted to become an actress. In her teens, Gray worked as a model for several beauty companies and airlines.
Linda Gray was only 21 years of age when she got married to photographer Edward Lee Thrasher. However, the marriage turned into somewhat of a nightmare for Linda.
Her career and pursuit of work in show business were put on hold. Instead, she took on the role of wife and then mother. In 1960, the couple welcomed a son, Jeff Thrasher, and six years later, daughter Kehly was born.
Ed, Linda says, didn’t really say much. The family moved to Santa Clarita, where she still lives today, but Linda was determined to make her own career.
Their marriage was, according to Linda, emotionally cold. She felt abandoned.
“It tore me apart but I just thought, ‘Well, I can make this work somehow,’” she explained. “It took me 21 years to leave my marriage,”
At the same time, her husband Ed didn’t want her to have part-time jobs; he wanted a luxurious lifestyle at home. Linda decided that it was a chance for her to get into show business, and before long she was appearing in television commercials.
She had two uncredited brief appearances in feature films Under the Yum Yum Tree and Palm Springs Weekend in 1963.
A couple of years later, Linda Gray got a gig that today is pretty much legendary. Age 27, she was paid $25 to be Anne Bancroft’s body double in the poster for the film The Graduate (1967), starring a young Dustin Hoffman. Gray’s legs appear in the iconic image, and funnily enough, she actually ended up playing Mrs Robinson in the 2001 West End State production of The Graduate.
But not everyone loved her. In her 2015 memoir, Gray added a rejection letter which she received from Glamour Magazine in the early 1960s. But it certainly didn’t bring her down.
“It was so funny that I kept that letter,” Gray said. “I kept the letter because I realized that we all have rejections, and it was her opinion when I was 20 years old. I could have had it devastate my life. But, I didn’t. This feisty streak came out – ‘Oh, yeah? I’m gonna show you!’ With great love and a lot of humor, I kept that letter. It kicked me from behind, and made me want to go and do something.”
Linda loved being a mother, but at the same time was frustrated at not being able to pursue her career. When she finally decided to take acting classes, her husband wasn’t happy.
“He said, ‘Why don’t you become an actress when the children are in college’,” she recalled.
At age 37, however, Linda Gray went her own way and took acting classes alongside many younger prospects. Actor Dennis Weaver saw Gray’s talent, and helped her get her first real acting job, starring as a guest star on the TV series Marcus Welby M.D in 1974.
It wouldn’t take long before everything then changed for the better.
In 1978, Gray got the role as Sue Ellen Ewing on the new television soap opera Dallas. At first, she was supposed to be a recurring guest role for the five-episode first series, but she soon became a regular cast member. Actually, her performances made her a star.
Dallas was all about corruption, betrayal, lies, affairs and scandals played out on the Southfork Ranch in the series. Gray’s performance was praised by television critics, and alongside acting colleagues Larry Hagman and Patrick Duffy, the series propelled her to huge success.
Gray became somewhat of a sex symbol on Dallas, and the chemistry between her and Larry Hagman was real.
Relation with Larry Hagman
Executives at CBS saw everything happening in front of their eyes, and it was pure magic. However, Gray states that the reality wasn’t build around any sexual chemistry.
“He was the bad big brother that I never had,” Gray said. “He was always doing something in my mind wrong – he was drinking too much, or whatever, and I would reprimand him, he loved that, he loved to do something just to make me crazy. I’d say ‘Don’t eat that. You don’t need that much sugar, and stop drinking.’”
“I was a pain in the neck – and he loved it,” she continued. “He would do things purposely to get me fired up. The directors were just in awe. They thought we were crazy teenagers, but when they said action, we would become J.R. and Sue Ellen. It was seamless. We don’t know what happened. It was absolute magic. We felt blessed, and we were.”
Dallas wasn’t only praised by television critics and executives in the business; the audience absolutely loved it too.
The show broke several viewing records, becoming one of the hottest things on television. Still to this day, it’s one of the longest-running shows in American prime-time television history.
On November 21, 1980, viewers got their answer as to the mystery of who shot Larry Hagman’s character, JR Ewing, and boy did people want to see it.
More than an estimated 80 million people watched the episode, making it the largest audience for a single television program ever in America at the time, according to BT. It stood at No.1 until 121 million viewers watched the last-ever episode of sitcom MASH.
For her work on Dallas, Gray received nominations for two Golden Globe Awards for Best Actress in a Dramatic Television Series and a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series.
The successful run Gray had on the show led to her final divorce from Ed Thrasher in 1983. Her son Jeff became a director, continuing in his mother’s career.
For Furze World Wonders, Jeff was nominated for an Emmy in 2018 for Outstanding Directing in a Multiple Camera Lifestyle, Culinary, or Educational and Informational Program. For his 2015 Mission Asteroid, he also received a Canadian Screen Award for Best Science or Nature Documentary Program or Series.
However, tragedy struck in 2020 when Jeff passed away following a reported battle with leukemia.
On Instagram, Linda Gray posted a tribute to her late son.
“A celebration of my son Jeff’s life. He was the kindest, funniest, sweetest human being….. he brought the world such love and was loved by everyone! May his journey be a magical one,” she wrote.
On Dallas, Linda Gray played the lead in a staggering 308 episodes. What did she do, though, after the show?